The PIX-E7 can record 4K up to 30 fps, UHD up to 30 fps and 1080p or 720p up to 120 fps and is capable of recording H.264. Like ProRes, H.264 may be recorded to the SpeedDrive, if chosen as the primary codec. Otherwise, end users can enable the monitor’s dual codec recording capability, where ProRes is recorded to the SpeedDrive and H.264 is simultaneously recorded to an SD card. While recording 4K in ProRes, the monitor will automatically scale the 4K to 1080p for recording H.264, thereby reducing its file size even further.

Also included with our E7 package is the PIX-LR featuring high-performance microphone preamplifiers and superior quality limiters to prevent distortion due to excessively loud sounds, as well as high-pass filters for reducing unwanted low frequencies like wind noise. With such a wide dynamic range and superb limiters built-in, the PIX-LR ensures crisp, noise-free, audio every time.

The PIX-LR enhances the recording experience by adding I/O flexibility and intuitive features, such as hyper-accurate, 23-segment LED metering with limiter indicators. There are two extremely low noise, wide gain XLR analog inputs. Both mic/line-level inputs may be stereo linked, with or without pan, and support 48V phantom power for use with condenser mics. There are also two XLR balanced analog outputs, ideal for low noise, long cable runs.

KEY FEATURES:

• Four Way View
• Waveform Monitor
• Vectorscope
• Histogram
• TapZoom – Instant 2x and 4x zoom to check focus
• Peaking
• Zebras
• False Colors
• Frame Markers
• LUTs – Built-in and Custom
• Anamorphic Desqueeze